Evening Performance by George Garrett download in ePub, pdf, iPad
And the experience of this seeming stillness is filled with a myriad of inner bodily sensations that remain unseen to the eye. The space must also have a sound system.
Even when simply standing, the body is constantly falling, catching itself, and subtly adapting to the environment. Post-performance, we will engage in a brief discussion with audience members who will then be invited to try out the rules of the game for themselves. Micro-movements induced by breath and weight shifts connect us to the force of gravity and an organic flow of embodied rhythms through time. It has been defining ways of moving, collectively or individually, through fluid nonetheless complex landscapes of information displays, networked spaces, and multimedia environments. The projector and sound system are run from a laptop.
The entire section is words. The lame man grudgingly agrees and schedules the show for the following evening if the weather is good. Local men gather to watch the stranger working furiously, and the local police officer asks what he is doing. As he prepares to admit defeat, a local merchant offers to buy the license for him in exchange for half the profits from ticket sales.
Then, one cool and gray October evening, a battered truck parks at the local fairground, and a sagging army-surplus tent rises beside it. The man does his trading in the town, whose residents watch the family curiously for several days. On being told that he must purchase a twenty-five-dollar permit to produce an exhibition, the man falls still.
Tensions are negotiated between acoustic and electronic sources, and between bottom-up structured improvisation and top-down guiding via conducting. One morning, the lame man begins to build what appears to be a drilling derrick on the center of the field.
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